Custom typeface
A family drawn for a single organisation and not licensed elsewhere. Built around the languages, sizes, and media the brand actually sets in, rather than adapted from something that already exists.
Type drawn for one organisation, to a brief, and produced to the same standard as a retail release.
A family drawn for a single organisation and not licensed elsewhere. Built around the languages, sizes, and media the brand actually sets in, rather than adapted from something that already exists.
Letterforms drawn for one word. Delivered as vector artwork with the alternates, lockups, and spacing notes an identity needs to stay consistent across the people who will use it.
Weights, italics, or additional coverage added to a family already in use, matched to the existing drawing. Also spacing, kerning, OpenType, and mastering for type drawn elsewhere.
What the type has to do, where it will be set, which languages it has to cover, and what it has to sit next to. Scope, schedule, and licence are agreed here, before any drawing.
A small set of drawn candidates at real sizes in real settings, not adjectives. One direction is chosen and the rest are put down.
The chosen direction taken to a full character set across the agreed weights, reviewed in running text rather than in isolated words.
Spacing, kerning, OpenType features, interpolation, and mastering. Proofed on screen and in print, and tested across the applications the client works in.
Final files, documentation, and licence. Source files are handed over where the agreement calls for it.
Custom work is normally licensed to the commissioning organisation in perpetuity, for the uses set out in the brief. Exclusivity, later release as a retail family, and coverage for subsidiaries or agencies are all decided before the project starts rather than after it.